popular Sony SEL-20F28 E-Mount 20mm popular F2.8 online sale Prime Fixed Lens online sale

popular Sony SEL-20F28 E-Mount 20mm popular F2.8 online sale Prime Fixed Lens online sale

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Brand
Sony
Lens Type
Wide Angle
Compatible Mountings
Sony E
Camera Lens Description
20 millimetres
Maximum Focal Length
20 Millimeters

EXCELLENT Condition. All functions working properly. [Cosmetics] Just a few tiny scuffs. [Optics] No scratch, haze or fungus. May have tiny minor dust. Remarks: Item excluding original box, manual and warranty has expired. This includes F/Rcap,Hood.[Return policy] Return accepted within 30 days in accordance with Amazon''s policy. Thank you!
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Sony SEL-20F28 E-Mount 20mm F2.8 Prime Fixed Lens (Renewed) $319.10
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Details

Brand
Sony
Lens Type
Wide Angle
Compatible Mountings
Sony E
Camera Lens Description
20 millimetres
Maximum Focal Length
20 Millimeters
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This item Sony SEL-20F28 E-Mount 20mm F2... Sony 16-50mm f/3.5-5.6 OSS Alp... Sigma 16mm f/1.4 DC DN Contemp... Sony FE 20mm F1.8 G Full-Frame...
Rating 4.4 out of 5 stars
209 reviews
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Price $348.00 $123.90 $366.99 $898.00
Shipping FREE Shipping FREE Shipping FREE Shipping FREE Shipping
Sold By Amazon.com Clear Colors Digital Goja Amazon.com
Picture quality 4.6 4.3 4.8 4.9
Value for money 4.5 4.3 4.6
Auto focus 4.2 4.6 4.7
Image stabilization 4.9 4.2 4.8
Color Black Black Black
Compatible Camera Mount Sony E This lens is designed for Sony α camera system E-mount cameras. You cannot... Sony E, Sony E Sony E
Focus Type Stepper motor Auto Focus Auto Focus Auto Focus
Item Dimensions 0.79 x 2.48 x 2.48 inches 1.2 x 2.6 x 2.6 inches 3.6 x 2.8 x 2.8 inches 7.75 x 4.5 x 4.25 inches
Item Weight 2.43 ounces 0.89 lbs 0.82 lbs
Lens Type Wide Angle Wide Angle, Normal Wide Angle Wide Angle
Maximum Aperture 2.8 millimeters f/3.5 1.4 millimeters 1.8 millimeters
Maximum Focal Length 20 millimeters 50.00 millimeters 16 millimeters 20 millimeters
Minimum Aperture 22 f/5.6 16 millimeters 22
Minimum Focal Length 20 millimeters 16.00 millimeters 16 millimeters 20 millimeters
Photo Filter Thread Size 49 millimeters 67 millimeters
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Description

Product Description

20mm F2.8 Prime Lens Not only will the 20mm (30mm in 35mm full-frame format) focal length and F2.8 maximum aperture appeal to experienced photographers, but the outstanding resolution of this lens will satisfy their most stringent image quality requirements as well. Three aspheric elements help to achieve superb contrast and resolution right out to the image edges, while simultaneously enabling a compact 20.4 mm-thick pancake design that makes for a portable combination with compact E-mount cameras. When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Only the rear groups of the optical system move to focus the lens, which allows for speedy AF operation and a shorter minimum focusing distance. Since the front of the lens does not rotate, operability is improved when shooting with a polarizing filter attached. 2013 Sony Electronics All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographic and photographic errors. Features and specifications are subject to change without notice. Sony, BIONZ, BRAVIA, BRAVIA Sync, Cyber-shot, Exmor, InfoLITHIUM, Memory Stick PRO Duo, Memory Stick Duo, the Memory Stick logo, Optical SteadyShot, Remote Commander, Smile Shutter, Stamina, SteadyShot, Theatre Sync, TruBlack, and Xtra Fine LCD are trademarks of Sony. Microsoft, Windows, and Windows Vista are trademarks of Microsoft Corporation. Mac OS and iMovie are trademarks of Apple Computers, HDMI is a trademark of HDMI Licensing . All other trademarks are trademarks of their respective owners.

From the Manufacturer

E 20mm F2.8 Wide-Angle Prime Lens

Not only will the 20mm (30mm in 35mm full-frame format) focal length and F2.8 maximum aperture appeal to experienced photographers, but the outstanding resolution of this lens will satisfy their most stringent image quality requirements as well. Three aspheric elements help to achieve superb contrast and resolution right out to the image edges, while simultaneously enabling a compact 20.4 mm-thick pancake design that makes for a portable combination with compact E-mount cameras.

Technology

Circular Aperture

When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.

Aspherical lens elements

Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality.

Additional Features

Rear focusing elements

Only the rear groups of the optical system move to focus the lens, which allows for speedy AF operation and a shorter minimum focusing distance. Since the front of the lens does not rotate, operability is improved when shooting with a polarizing filter attached.

2013 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographic and photographic errors. Features and specifications are subject to change without notice. Sony, BIONZ, BRAVIA, BRAVIA Sync, Cyber-shot, Exmor, InfoLITHIUM, Memory Stick PRO Duo, Memory Stick Duo, the Memory Stick logo, Optical SteadyShot, Remote Commander, Smile Shutter, Stamina, SteadyShot, Theatre Sync, TruBlack, and Xtra Fine LCD are trademarks of Sony. Microsoft, Windows, and Windows Vista are trademarks of Microsoft Corporation. Mac OS and iMovie are trademarks of Apple Computers, Inc. HDMI is a trademark of HDMI Licensing LLC. All other trademarks are trademarks of their respective owners.

Features & details

Features

  • Superior Image Quality
  • Minimum Focus Distance : 0.66 feet (0.2 m), Maximum Magnification ratio : 0.12x
  • Focal Length- 20 mm, Compact Length; Lens not Zoomable
  • Superb value and performance. Angle of View (APS-C) -70°. Maximum aperture (F) - 2.8. 35 mm equivalent focal length (APS-C) - 11.82 inch
  • Broaden your view with a wide angle: From a vast cliff to a stretching sandy beach, fit everything in with a 20 mm wide angle. Angle of View (APS-C): 70°

Product information Black , Lens only , Base

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Customer Questions

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Q: Why did sony omit oss image stability on this lens? with oss the speed can be reduced on a…

A: OSS adds complexity and bulk to the lens, as well as cost. It''s unlikely that Sony could d…

Christopher T Barbour | 3 years ago

Q: What''s the equivalent focus length in APS-C frame?

A: Sony NEX/alpha cameras are 1.5x crop factor so you multiply 20mm x 1.5 factor to get a 30m…

salsaguy | 7 years ago

Q: How much flatter is this one vs the 16mm 2.8?

A: As far as I can tell they are the same housing size. This one has upgraded optics compared…

AKentPhoto | 7 years ago

Q: Does it have Optical Stabilisation?

A: If your question is about Image Stabilization. The lens does not have this feature.

brian | 7 years ago

Customer reviews

4.4 out of 54.4 out of 5
209 global ratings

Reviews with images

Top reviews from the United States

T. Hawkes
5.0 out of 5 starsVerified Purchase
A very good lens...small, sharp, well built, versatile
Reviewed in the United States on November 3, 2014
*: BlackStyle: Lens onlyConfiguration: Base
Oh, wow, this lens is so much better than the 16mm (SEL-16F28). I know because I used to have the 16mm but sold it after getting this one. The 20mm is much sharper, better built, with a nice and versatile field of view. It also takes the two adapters sold for the 16mm (the... See more
Oh, wow, this lens is so much better than the 16mm (SEL-16F28). I know because I used to have the 16mm but sold it after getting this one. The 20mm is much sharper, better built, with a nice and versatile field of view. It also takes the two adapters sold for the 16mm (the wide-angle which I had for the 16mm makes this 20mm a 15mm; and the fish-eye which I don''t yet have but intend to buy).

In case anyone''s interested, I own a NEX-6 and an A6000. I have most of the "reasonably priced" Sony E-mount lenses: the 20mm with the wide angle adapter; the 30mm Macro (a nice lens if you can get one for a good price), the 35mm prime (one of my favorite lenses for its field of view and its sharp, high-quality images); the 50mm prime (a nice lens, especially for portraits with good bokeh); the 16-50mm PZ kit lens (which I take along with the 20mm when I want to travel very light but still have a bit of a zoom on hand because it takes good, but not great, pictures as you can see clearly see once you''ve tried the primes); the 55-210 manual zoom (great range, nice and sharp shots, fairly bulky, but I got it for only $150 so can''t complain) and the 18-105 PZ "G" lens (which is a superb carry-around lens if you don''t mind its relative bulk--it''s long and wide, but not too heavy). I''ve also tried the Sigma lenses (19 and 30mm) but thought, "These would be OK if they weren''t so cheaply made (scratch easily) and so bulky and if they had OSS." So I returned them in spite of their low prices. I''ve also tried for a weekend, but decided not to buy, the Sony 10-18 and 16-70 zooms and the Zeiss Touit 32mm. These are built with high-quality materials and take great shots but they are way too expensive, in my opinion at least, for the relative increase in image quality over the much less expensive lenses.

I''m sure somebody out there will want to quote image tests and pixel peeping comparisons to debate my opinion about this 20mm lens and/or the pricy Zeiss lenses, but my thinking is simply that this "mirrorless" line of medium-format cameras doesn''t really need lenses that cost so much. I admit there is a small market for those lenses; they are priced for folks who are willing to spend 2-3 times the money for "something a bit better" (that''s how Sony makes back the investment in building lenses that relatively few people will buy). If you really want to step up, I suggest that you skip the APS-C line altogether and buy one of the newest full-frame "A7" camera bodies and any one of the pricey full-frame lenses available for it. With 4 times the money invested, you can see some better images (all else being equal). But switching from APS-C to full-frame means you''re not in the same ballpark at all, to use a worn expression. I can say all this with confidence because photography is a hobby for me, not a profession. I''m not taking pictures for National Geographic (I''d love to imagine doing so with my A6000 and one of my pedestrian lenses, but I am not a delusional man). What I am is happy with two Sony APS-C cameras I own. I make use of, and accommodate for, their relative merits. The broad collection of E-mount lenses I have covers most every situation I am likely to get into as a hobbyist. Even better, I bought all my lenses for about 60 cents on the dollar (another hobby of mine is being a bargain hunter).

If you''re the kind of photographer that I am, then you''ll want to know that this SEL-20F28 lens is a very nice lens to have. I bought it as a "new but sold as refurb" here on Amazon for about 40% off its list. For that kind of money, it really shines as a small, versatile lens (i.e., close-up shots and landscape shots are both very good). It''s smaller and faster and sharper than the kit zoom; it also costs much more than the kit zoom. I will add that my 18-105 "G" lens takes a noticeably better (sharper, better contrast, less aberrations) picture set at 20mm than this prime does, but then the zoom is only f4.0 (minimum through its range) whereas the prime is f2.8 and it''s 1/10th the size. That''s why I have both in my lens bag.

I hope this long ramble helps someone decide whether or not to buy this lens. If not, hey, reading it was free. Peace.
366 people found this helpful
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JT
5.0 out of 5 starsVerified Purchase
Lens works great (see my milky way picture from JTNP)
Reviewed in the United States on July 30, 2017
*: BlackStyle: Lens onlyConfiguration: Base
Lens works great (see my milky way picture from JTNP), but it''s much better with the ultra wide angle add-on lens (which I also used to take that picture).
51 people found this helpful
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jp24
5.0 out of 5 starsVerified Purchase
Most convenient lens for a6xxx cameras
Reviewed in the United States on August 4, 2018
*: BlackStyle: Lens onlyConfiguration: Base
Love this lens. It almost never leaves my Sony a6500. I use it primarily for video and it''s great. I used it a lot for street Photography during my trip to Spain, Greece and Morroco. It became my lens of choice over my Sony 24-105 F4, 22mm f2, and 85mm f1.8. It''s a must... See more
Love this lens. It almost never leaves my Sony a6500. I use it primarily for video and it''s great. I used it a lot for street Photography during my trip to Spain, Greece and Morroco. It became my lens of choice over my Sony 24-105 F4, 22mm f2, and 85mm f1.8. It''s a must have for Sony a series.
16 people found this helpful
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Amazon Customer
5.0 out of 5 starsVerified Purchase
So the end result is that I had great little camera
Reviewed in the United States on August 16, 2017
*: BlackStyle: Lens onlyConfiguration: Base
I have a Sony A6000, it has a cropped sensor and came with 2 kit lenses (16-50mm, and 70-200mm) both having low light gathering capabilities. So the end result is that I had great little camera, but a limited field of view and that required higher ISO than acceptable to get... See more
I have a Sony A6000, it has a cropped sensor and came with 2 kit lenses (16-50mm, and 70-200mm) both having low light gathering capabilities. So the end result is that I had great little camera, but a limited field of view and that required higher ISO than acceptable to get the shots I wanted. So I purchased the 20mm lens and the ultra wide converter to go with it, hoping to eliminate some of the unwanted results.

I could not be happier, and would recommend them if you are experiencing similar frustrations.

Happy Snappin!
21 people found this helpful
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Mary Motzing
5.0 out of 5 starsVerified Purchase
Can''t go wrong paired with a A6000
Reviewed in the United States on August 6, 2018
*: BlackStyle: Lens onlyConfiguration: Base
For a few months, this was my go-to for anything. Rallies, portraits, taking a drive... Great for getting video too.

I use an A6000 and I only wish I had the capability of getting better lowlights shots with it.

Hope this helps
15 people found this helpful
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Sabu
4.0 out of 5 starsVerified Purchase
great snapshot lens
Reviewed in the United States on December 27, 2020
*: BlackStyle: Lens onlyConfiguration: Base
They say the best camera is the one that you have with you, so I bought this to make my a7 more portable and turn it into a snapshot and street camera. The a7 will detect the lens and use Crop Mode instead of Full Frame, which gives you a 30mm view that is great for all... See more
They say the best camera is the one that you have with you, so I bought this to make my a7 more portable and turn it into a snapshot and street camera. The a7 will detect the lens and use Crop Mode instead of Full Frame, which gives you a 30mm view that is great for all around use. The image quality is not fine art level but good for what it is, an affordable and portable lens. There is slight distortion and vignette sometimes, but Sony has a lens correction feature built into the camera that does a great job of fixing them if they bother you. Also the more you avoid the extreme high or low F stops the cleaner the image will be.
One person found this helpful
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Jason Wilson
5.0 out of 5 starsVerified Purchase
Very tiny lens for wider angle photography and more
Reviewed in the United States on December 3, 2019
*: BlackStyle: Lens onlyConfiguration: Base
This is a tiny and light pancake lens (even smaller than the 16-50mm kit lens!). The 2.8 aperture allows for some bokeh and decent low-light performance on the a5100 (you may need to use aperture priority mode to take advantage of this lens). I also... See more
This is a tiny and light pancake lens (even smaller than the 16-50mm kit lens!).

The 2.8 aperture allows for some bokeh and decent low-light performance on the a5100 (you may need to use aperture priority mode to take advantage of this lens).

I also own the Sigma 19mm 2.8 lens and I feel like I will use this lens more as part of a very compact and light-weight kit even though that lens is pretty small (a5100 + the Meike MK-35mm F/1.4 APS-C or Samyang 35mm f2.8 FE lens).

I simply wish this lens was cheaper!
2 people found this helpful
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Jonathan Jolliff
4.0 out of 5 starsVerified Purchase
Great for what it is..
Reviewed in the United States on December 5, 2016
*: BlackStyle: Lens onlyConfiguration: Base
I never write reviews, but this lens was worth mentioning. I have this & the 35mm f/1.8 Sony lens & won''t lie, the 35mm is a much better lens. But I got this lens for convenience, for the size & for vlogs. Not as zoomed as the 35mm so it''s better for vlogs. Overall, a... See more
I never write reviews, but this lens was worth mentioning. I have this & the 35mm f/1.8 Sony lens & won''t lie, the 35mm is a much better lens. But I got this lens for convenience, for the size & for vlogs. Not as zoomed as the 35mm so it''s better for vlogs. Overall, a great lens for the size.. might be a little overpriced. But I needed a good lens that was small & was wide enough for vlogs
12 people found this helpful
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Top reviews from other countries

bspeckled
5.0 out of 5 starsVerified Purchase
Great lens for travel shots
Reviewed in Canada on December 23, 2017
I used this for my vacation to the UK and it was great for carting around - light weight and easy to store away. Great for street scapes and landscape vista shots. I didn''t have too many occasions to use it in low light conditions but it worked fine in the British Museum,...See more
I used this for my vacation to the UK and it was great for carting around - light weight and easy to store away. Great for street scapes and landscape vista shots. I didn''t have too many occasions to use it in low light conditions but it worked fine in the British Museum, for example. Not a high end prime, but then again not priced like one either.
2 people found this helpful
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RT
5.0 out of 5 starsVerified Purchase
With A6300, a perfect travel pkg.
Reviewed in Canada on January 28, 2020
Love this little lens. Tried it out on receipt and coupled with my A6300 it''s a perfect walk-around kit and easy to carry for travel. As an enthusiast, very happy with quality (and size). Delivered prompty.
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joms de guzman
5.0 out of 5 starsVerified Purchase
Great pancake lens.
Reviewed in Canada on May 8, 2019
Perfect light weight lens combo for video with Sony a6300, and also sharp for stills.
One person found this helpful
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LIMA
5.0 out of 5 starsVerified Purchase
good
Reviewed in Canada on August 27, 2020
good
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Amazon Customer
5.0 out of 5 starsVerified Purchase
Five Stars
Reviewed in Canada on November 16, 2017
So far I am really pleased with this lens and the service by the seller
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